![]() Roy Stuart became a professional photographer and, for a certain period, he worked as a fashion photographer as well. His contacts grew proportionally to the increasing contracts. The already remarkable clichés became more defined. He established himself in England, where he shot erotic snaps of his girlfriend, that would later be sold to some French magazines. Stuart remains instantly fascinated by cinematographic techniques and especially by the use of lighting asking many questions, he observes and learns to build creations with the use of lights.ġ980–1990 Stuart, seemingly resolute in refusing "the American way of life", left the United States for Europe. Parallelly to music, at the dawn of the 1970s, Stuart had his first cinematographic experience: a minor part in The Godfather Part II and, subsequently, in many other movies, amongst which a few X-rated movies of the time (Lasse Braun). ![]() Stuart together with Villamor shared the musical experience bound to the "Pigeons of the Universe" band. He associated with Gregory Corso and Allen Ginsberg, but of extreme importance was the encounter with the Cuban poet Nelson Villamor who became his very close friend. ![]() These were the years of Roy Stuart's evolution in the New York context of the so-called American counterculture. The film is made in the form of cutting rollers, the creation of which one way or another participated. Roy Stuart's Glimpse 1 / Беглое Знакомствоįor those unfamiliar with Roy Stuart, he is a well-known American erotic photographer living in Paris, whose work has appeared in magazines like Penthouse, Leg Show, High Society, and Cheri, among others as well as photoshoots for Met-Art and FemJoy. ![]()
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